Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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BERCKHEYDE, Gerrit Adriaensz.
The Market Square at Haarlem with the St Bavo

ID: 05154

BERCKHEYDE, Gerrit Adriaensz. The Market Square at Haarlem with the St Bavo
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BERCKHEYDE, Gerrit Adriaensz. The Market Square at Haarlem with the St Bavo


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BERCKHEYDE, Gerrit Adriaensz.

Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.  Related Paintings of BERCKHEYDE, Gerrit Adriaensz. :. | The Interior of the | The Bend in the Herengracht near the Nieuwe Spiegelstraat in Amsterdam | Dam square Amsterdam | Amsterdam, the Nieuwezijds near the Bloemmarkt | Dam Square, Amsterdam |
Related Artists:
LA HIRE, Laurent de
French Baroque Era Painter, 1606-1656
V.L.E. Sparre

Nicholas Pocock
British Painter, 1741-1821 English painter. After an apprenticeship in the Bristol shipbuilding yards of Richard Champion, Pocock began a career at sea in the mid-1760s. He was a practised and gifted amateur watercolourist (his earliest signed and dated watercolour is from 1762), and when in command of the Lloyd, one of Champion's merchantmen, he began to keep detailed logbooks illustrated with wash drawings (four at London, N. Mar. Mus.). In 1780 he gave up his sea career, married and sent his first oil painting to the Royal Academy. The picture arrived too late for exhibition, but Sir Joshua Reynolds wrote back, noting 'It is much beyond what I expected from a first essay in oil colours'. Pocock exhibited annually at the Academy between 1782 and 1812 and enjoyed a steady supply of commissions for oil paintings and watercolours, mostly of marine subject-matter. He produced a series of watercolour views of Bristol (stylistically close to Edward Dayes) in the 1780s, many of which were engraved, and of Iceland in 1791.






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